1. Peter Gabriel - Mercy Street (for Anne Sexton)
Peter Gabriel's moving response to the life and work of Sexton, who struggled with mental illness, manages to engage obliquely with the poetry while taking on an existence all of its own. And the song also did the service of introducing Sexton's name to a new generation of readers.
2. Joni Mitchell - Slouching Towards Bethlehem
Although basically a setting of Yeats' 'The Second Coming', Mitchell's adaption of the original text manages to make it work as a song lyric. Her impassioned delivery and the pounding percussion on the track give such a sense of urgency to Yeats' words that you can't help feeling that the crisis is a very real one and very much in the present moment. In the context of one of Mitchell's most political albums, Night Ride Home, the poem takes on a new resonance.
3. Talking Heads - I Zimbra
It may sound like David Byrne is singing nonsense on this track from 1979's Fear of Music, and in a way he is. But the song is also an adaptation of a sound poem by Dadaist Hugo Ball, founder of Zurich's famous Cabaret Voltaire. Talking Heads turn this into a great dance tune, but Ball's invented language also takes on a strangely sinister feel as Byrne and the backing singers bark the words at us.
4. They Might Be Giants - Hate the Villanelle
Anyone who has ever taken a writing class and had to write a villanelle will relate to this one. A catchy ditty about the difficulty of writing to strict form that manages to keep to the form as well.
5. My House - Lou Reed
Lou Reed was briefly taught by the poet Delmore Schwartz and dedicated a song on the first Velvet Underground's first album to his former professor. Schwartz is euologized more directly on 'My House' from Reed's The Blue Mask. Critics rave about this album, which I'm not so persuaded by, and this song verges on the corny at times. Reed's singing is a little strained, too. Somehow, though, this manages to be a sweet tribute and a moment of genuine gratitude to someone who was a key influence on the musician.
6. Iron Maiden - The Rime of the Ancient Mariner
I'm not sure I can entirely get on board with Iron Maiden's interpretation of the underlying message of Coleridge's poem, but this is a great big slab of rock bombast that wrings ever last drop of drama out of the original story.
7. Sparks - Metaphor
Maybe not strictly or exclusively about poetry, but a great reminder that, as every teenage poet in the tradition of Adrian Mole surely knows, 'chicks dig metaphors!'
8. Suzanne Vega - Calypso
Suzanne Vega re-tells the encounter between Ulysses and the nymph Calypso from Homer's Odyssey. In this version, however, Calypso is not so desperate to hang on to the Greek hero. She sounds like she might actually be glad to see the back of him.
9. Regina Spektor - Après Moi
I'd been listening to this song, one of my favourites by Regina Spektor, for years without realising that the Russian sung about half way through apparently quotes lines of verse by Russian poet and novelist Boris Pasternak. I don't understand Russian, but if Wikipedia says so, it must be true. I'm not sure if it makes this surreal song any easier to understand and it maybe even complicates matters.
10. Suede - Heroine
Quite a tenuous one, given that the band start with stealing that famous line from Byron for their opening, before going off in quite a different direction. Still, I think the mood of obsession from the original poem gets carried over here, with a nicely decadent twist.
I'd be fascinated to hear suggestions for songs inspired by, referring to, or even adapting poetry. I'm sure I'm only just scratching the surface here...